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Ryan Johnson Ryan Johnson: Diabelli-Contest 2016

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I appreciate choral works that take a holistic view of the human voice. The voice is easily the most flexible of all instruments, capable of imitating any piece of the orchestra and generating textures far outside the reach of any trumpet or violin. I open this piece with the white noise rush of whispers - primal and mysterious. From there we draw the listener into the psychadelic spiritual haziness evoked by the poetry. I was taken by grandeur of the Wessobrunner Gebet, its author having reached an understanding of faith that leaped far beyond simple religious rote. This is deep and passionate poetry. I hope to do it justice.
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Added by: gerhard
added on: 07/31/2016
Perhaps appropriate:
Interpreter: Johnson, Ryan Thomas
Added by: rythojo
added on: 03/05/2016
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Free notes
1.gif
midi.gif
6.jpg
Performance:Registered with a copyright collecting society
(ASCAP, BMI, GEMA, VG, etc.)
orchestration:
Mixed choir a cappella
Choir>SSAATTBB
  • Voice choir>alto voices = A (2)
  • Voice choir>bass voices = B (2)
  • Voice choir>soprano voices = S (2)
  • Voice choir>tenor voices = T (2)
Language in song:Latin
Quantity of pages: 12
Visit: 7966