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Preparation for next contest

Mona Rasenberger Mona Rasenberger: Carl Orff Competition 2018 Der Gang ins Nirgendwo (The Passage into Nowhere)

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The given rhythm appears like a red thread right at the beginning of the piece and develops until it finally flows into a saraband rhythm. In the meantime, the listener accompanies the first lamenting, then desperate Orpheus on his way which I have for the most part also designed as a rhythmic gait. I wrote the exclamation "Who?" consciously as a false tone because this word is not only meant to stand out as the voice of the woman but also as a highlight from everything else. With the exception of a few deliberately chosen tones, the harp has set a very specific scale; just as the harp is always present in the thoughts of Orpheus with the same strings as in the sculpture by A. Tesche-Mentzen. In the end, the listener does not remain alone with the pain of Orpheus: the following Sarabande gives the mourning again room to fade away.
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Interpreter: Neubauer, Hartmut
Added by: hneubauer
added on: 03/17/2018
Added by: gerhard
added on: 08/30/2018
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Free notes
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midi.gif
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Performance:NOT subject to notification
(ASCAP, BMI, GEMA etc.)
orchestration:
Voice solo with (chamber) orchestra
Solo>bass+Perc+Hp
  • Harp = Hp (1)
  • Percussion (incl. all drums etc.)= Perc (1)
  • Voice solo>bass = bass or bariton (1)
Language in song:German
Quantity of pages: 8
Visit: 6263