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Principal and Secondary Theme. m.m. 1~33
II. Lento, Passage m.m. 8~14
III. Allegro con fuoco, Secondary Theme m.m. 15~ 28
IV. Lento, Episode I m.m. 29~33
V. Lento Trio Sonata, as Development.
VI. Lento, Episode II m.m. 61~72, at the end I have quoted my chorus
piece "The steps of sprint" as a bridge section to the
Recapitulation.
VII. Adagio, as a Recapitulation of whole piece m.m. 70~85. A Canon
with Origial and Inverse Serials of Mozart’s Fantasia Sonata. The
materials of low manual (left hand) is inspired by “ VII.
Frühlingsnacht Liederkreis op. 39” of Schumann arts song.
Two themes of different epochs, one in Classic and the other in
Contemporary have been juxtaposed with tonal, polytonal even serial
composition technic in a plurality style.
The reference provides a citation of stops, and the interpreter can have a
final decision.
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Principal and Secondary Theme. m.m. 1~33
II. Lento, Passage m.m. 8~14
III. Allegro con fuoco, Secondary Theme m.m. 15~ 28
IV. Lento, Episode I m.m. 29~33
V. Lento Trio Sonata, as Development.
VI. Lento, Episode II m.m. 61~72, at the end I have quoted my chorus
piece "The steps of sprint" as a bridge section to the
Recapitulation.
VII. Adagio, as a Recapitulation of whole piece m.m. 70~85. A Canon
with Origial and Inverse Serials of Mozart’s Fantasia Sonata. The
materials of low manual (left hand) is inspired by “ VII.
Frühlingsnacht Liederkreis op. 39” of Schumann arts song.
Two themes of different epochs, one in Classic and the other in
Contemporary have been juxtaposed with tonal, polytonal even serial
composition technic in a plurality style.
The reference provides a citation of stops, and the interpreter can have a
final decision.
Recommended:
Perhaps appropriate:
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| Performance: | NOT subject to notification (ASCAP, BMI, GEMA etc.) |
| orchestration: | |
| Quantity of pages: | 15 |
| Visit: | 4871 |
Preparation for next contest