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Both themes are first handled in the three-part fantasy: Orff, in that it follows the original secondary harmonies; Mozart in rhythmic (6/8 time), melodic and harmonic reinterpretation, and also elements be used from the following measures from KV 475. The fugue theme is also based on Mozart, the interludes of the dismantling of the Orff-ish harmony, which are modified in the last three bars. But, beforehand the Mozart-ish theme in the original still returns, immediately followed by the related theme of the second movement of Haydn's Symphony Nr. 103.
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