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Hello to everyone who wish to take a look and listen to the musical piece, beforehand a few words:
In general, the one movement piano piece is tonal and in some places somewhat modernly written; partly in lively, dance-like and partly in a lyrical nature. It can also happen that passages where the predetermined beat is sufficient in itself, may give a sense of a mechanical sound.
The common element that brings everything together, running from beginning to end is the predetermined beat alternating between 4/4 and 5/8 rhythm. This should provide the musical work a cohesiveness and clear structure in spite of the various tone pitches. At the beginning and within thematical related passages it appears in the melody, in the lyrical part in the accompaniment, in the left hand. The musical piece lasts for a good 6 minutes. On the Midi recording it is somewhat shorter because a quieter lyrical part (meno mosso) returns at the same tempo.
In the live recording (without cuts) featuring the pianist Tobias Hartlieb, the musical work last over six minutes.
To what extent the musical piece has to do with the meaning of the word “Irini”, I will let everyone be their own judge.
I wish everyone interested much pleasure during listening.
Rüdiger Clauß
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In general, the one movement piano piece is tonal and in some places somewhat modernly written; partly in lively, dance-like and partly in a lyrical nature. It can also happen that passages where the predetermined beat is sufficient in itself, may give a sense of a mechanical sound.
The common element that brings everything together, running from beginning to end is the predetermined beat alternating between 4/4 and 5/8 rhythm. This should provide the musical work a cohesiveness and clear structure in spite of the various tone pitches. At the beginning and within thematical related passages it appears in the melody, in the lyrical part in the accompaniment, in the left hand. The musical piece lasts for a good 6 minutes. On the Midi recording it is somewhat shorter because a quieter lyrical part (meno mosso) returns at the same tempo.
In the live recording (without cuts) featuring the pianist Tobias Hartlieb, the musical work last over six minutes.
To what extent the musical piece has to do with the meaning of the word “Irini”, I will let everyone be their own judge.
I wish everyone interested much pleasure during listening.
Rüdiger Clauß
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| Performance: | NOT subject to notification (ASCAP, BMI, GEMA etc.) |
| orchestration: | |
| Quantity of pages: | 11 |
| Visit: | 6994 |
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