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The piece is divided into three sections, which (should) however go over seamlessly. Initially, the material from the Orff-ish chord is handled by first dissecting, then synthesizing. Secondly, the Mozart short theme is handled - quasi befitting - in fugato form. Finally, both worlds come together in part three and unite after quite heavy ringing for a liberating conclusion, in the spirit of Carl Orff, who did express his fondness for Mozart.
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| Interpretación: | La ejecución de la obra es libre (GEMA, SUISA, AKM etc.) |
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| Número de páginas: | 11 |
| Visitas: | 3447 |








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